Rebecca Hazelton Wikipedia, Biography
Rebecca Hazelton is a distinguished American poet, writer, critic, and editor. She is the author of several poetry collections, including Fair Copy (2012), Vow (2013), and Gloss (2019), which was recognized as a “New and Noteworthy” pick by The New York Times. Hazelton’s poetry has been widely published in prestigious literary journals such as Poetry, The New Yorker, and The Nation, and her work has been anthologized in The Best American Poetry series.
In addition to her poetry, Hazelton is an editor, co-editing The Manifesto Project with poet Alan Michael Parker. She has also earned numerous awards, including the Cleveland State Poetry Center Open Competition Prize and multiple Pushcart Prizes. Hazelton is currently an assistant professor at North Central College in Illinois.
Rebecca Hazelton Age
Rebecca Hazelton was born on June 20, 1978, which makes her 45 years old as of now.
Rebecca Hazelton Height
Rebecca Hazelton is approximately 5 feet 6 inches (1.68 meters) tall.
Rebecca Hazelton Early Life and Educational Background
Rebecca Hazelton was born in 1978 in Richmond, Virginia. Growing up in the United States, she developed an early interest in literature and the arts. Hazelton’s academic journey began at Davidson College, where she earned a Bachelor of Arts in English in 2000.
After graduating from Davidson, she continued her studies at the University of Notre Dame, where she obtained a Master of Fine Arts (MFA) in Poetry.
Hazelton then pursued further academic achievements, attending Florida State University, where she earned a Ph.D. in English and Poetry. During her time at Florida State, she honed her craft and gained extensive knowledge in both writing and literary theory, which would laterinform her teaching and creative work.
Rebecca Hazelton Net Worth
Rebecca Hazelton’s net worth is estimated to be around $2 million as of 2024.
Rebecca Hazelton Career
Rebecca Hazelton’s career in poetry and academia has been defined by her distinctive voice, which is often characterized by its exploration of complex relationships, body imagery, and personal reflection. She has garnered recognition for her bold and accessible poetic style, blending contemporary life with classical themes. Over the years, Hazelton has written several acclaimed poetry collections and has contributed significantly to the world of literary criticism and teaching.
Hazelton’s career as a poet began to gain significant traction in the early 2010s. Her first full-length poetry collection, Fair Copy (2012), published by Ohio State University Press, received attention for its emotional depth and nuanced reflections on relationships. The collection exemplifies her interest in the internal and external struggles of selfhood, often using the language of love, loss, and identity to navigate the intricacies of modern life. Fair Copy set the stage for her ongoing exploration of personal history and intimate experience, themes that would dominate her subsequent works.
In 2013, Hazelton published Vow, a collection that further solidified her place in the literary community. Vow continues her exploration of identity and the human condition but focuses more specifically on the complexity of commitment and intimacy in relationships. The book was well-received, with reviewers praising her candidness and insight. One notable aspect of Vow is its engagement with both personal and universal experiences, bridging the gap between the poet’s inner world and broader human concerns.
In 2019, Hazelton released Gloss, another poetry collection, this time with University of Wisconsin Press. The book delves deeper into themes of nostalgia, regret, and the passage of time. Hazelton’s interest in memory and the past is central to this work, as she uses the metaphor of “gloss” to explore the various ways in which we cover up or present the past. Critics have noted how this collection captures a sense of time’s erasure, reflecting a meticulous control of language that retains an intimate tone even when addressing the sweeping breadth of human experience.
Outside of her poetry, Hazelton has been a strong voice in academia and literary criticism. As an educator, she has taught at various institutions, including Davidson College, where she has served as a member of the faculty. Her teaching style is grounded in a deep engagement with the technical aspects of poetry, encouraging students to explore their voices through rigorous analysis of form and language.
In addition to her role as an educator, Hazelton has contributed significantly to literary journals and anthologies. Her work has appeared in prestigious publications like Poetry, The New Yorker, and in The Best American Poetry series multiple times. Through her journalistic efforts, Hazelton has not only furthered her own career but has played an important role in bringing attention to other poets, helping to shape contemporary poetry with her own distinct voice while uplifting the work of her peers.
Hazelton’s collaboration with other poets is another key aspect of her career. She co-authored No Girls, No Telephones (2013) with poet Brittany Cavallaro, a project that reflects both poets’ shared sensibilities and explores themes of communication, intimacy, and the complexities of human connection.
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